Poltergeist (1982)

With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane.

Note # Click watch as free user NOT THE WATCH NOW button, and the video will play in a few moments.

                 

Review By Brendon Hanley

Though directed by Tobe Hooper, Poltergeist is most often thought of as a Steven Spielberg movie, with all of the hallmarks of a Spielberg film: impressive effects, snappy pacing, and a child-like sense of wonder and horror. At the time, the director was juggling the haunted-house project with the more personal E.T., and cult horror director Hooper was called in to helm. Legend has it that Spielberg had his fingers in just about every decision, and even directed some of the scenes himself, leaving the job's technical aspects to Hooper. Spielberg would eventually be credited as co-producer and co-screenwriter. Poltergeist is clearly more akin to Spielberg's E.T. or Close Encounters of the Third Kind than to Hooper's The Texas Chainsaw Massacre or Eaten Alive. It's a very engaging film, thanks to Jo Beth Williams's solid performance and the slick, chilling effects by Industrial Light and Magic.